Unlike No More!, where the entire crew and cast had to be found and tested, for Through the Eyes of the Wolf they were already there. Some scenes were taken from the tons unused by No More! and the new ones entered a system developed from previous experiences. The shoots flowed quickly and, since there wasn't a huge break like what happened during the pandemic, we just had to adjust the ideal days for each person, and that was it. But again I didn't worry about behind-the-scenes recordings. What mattered was maximum attention to the moment. Each take was a consolidation of a reality in itself. And I must highlight the actresses who alternated as the protagonist Madalena: Luíza Leão and Jhenifer Amaruzza. It was impressive how they threw themselves into the role, into the dirty water of the flooded area, and the trust they placed once again in another of my projects. Fantastic professionals.